Clan Caimán（カイマン族）, by Clan Caimán クラン・カイマン

Clan Caimán（カイマン族）

by Clan Caimán クラン・カイマン

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Matteo DLF A very unique spiritual sound from South America! Favorite track: Caravana.

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A gatefold cardboard sleeve. CD put in a non‐woven fabric inner sleeve. Shrink-wrapped.

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Quality cutting and pressing. Glossy lamination, black inner sleeve, the inside of the outer sleeve is printed in black. Catalog #: EM1177LP

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1.	Caravana 04:33	buy track
2.	Apuna 05:30	buy track
3.	Venado tuerto 05:03	buy track
4.	Encuentro cercano 05:53	buy track
5.	El domo 07:07	buy track
6.	Gamelan No.2 04:43	buy track
7.	Gamelan No.3 04:08	buy track
8.	Gala 04:09	buy track

about

ハイラマズ、VIDEOTAPEMUSIC、トータス、トミー・ゲレロ、マーティン・デニーのファンにも推薦。エミリオ・アロのバンド名義の初アルバム。謎のメロー・ミニマル・エキゾ・トライバル・ミュージック。

アルゼンチン音楽ファンには説明不要のマルチ・インストゥルメンタリスト作家、エミリオ・アロがこの10年で発表したソロ作『Panorámico』(2007)と『Estrambótico』(2012)は、音響派以降の新世代がフォルクローレ・リバイバルの影響下に制作した完全なスタジオ作品だった。しかし、ここにきてシーンのキーマンがあえてバンドを結成したのは極めて重要。南米のワニの名をもじったこのおどろおどろしいバンド名＜カイマン族＞のデビュー・アルバムとなる本作は、架空の部族の奏でる音楽を空想した、あるはずの無い秘境に流れる音楽というコンセプト。カリンバを改造したカリンバフォン（名前も最高！）というアロの自作楽器を中核に据え、ゆったりした波動でメローかつ幻想的に、徹底してミニマルに演奏されるバンド・グルーヴにはかなりの催眠性と中毒性がある。アルゼンチン音楽ファンだけに独占されるのはもったいない、ハイラマズやVIDEOTAPEMUSICのファンも絶対にハマること間違いなしのユル～いエキゾ幻想音楽！

credits

released July 7, 2018

Interpretado y arreglado por Clan Caimán:

Emilio Haro: kalimbafón
Gonzalo Córdoba: lap steel / guitarra barítono
Diego Voloschin: percusión
Facundo Gomes: guitarra eléctrica
Claudio Iuliano: bajo

Producido y mezclado por Emilio Haro en Radiaciones Armónicas (Buenos
Aires, Argentina 2018)

Grabado por Feco Escofet en Mawi (Ing. Maschwitz, Argentina 2017)
Masterizado por Takuto Kuratani en Ruv Bytes (Osaka, Japan 2018)

Compuesto:
1, 3, 6, 7 por Emilio Haro
4 por Emilio Haro / Wenchi Lazo / Gonzalo Córdoba
5 por Emilio Haro / Gonzalo Córdoba
8 por Emilio Haro, Wenchi Lazo
2 por Clan Caiman

Portada por Ian Kornfeld

The music of Clan Caiman is primitive and hypnotic. It is located in the pre-rock era and from there, it proposes a different evolution path for music from the 1950s to present day. Like a different musical development in a parallel timeline. Gamelan, hawaiian music, surf, exotica, rainforest or aquatic; these elements make up the palette which constructs a mystic and profound music that seeks ancestral connection.

Formed in 2016 by musician, composer and producer Emilio Haro looking to create music generated by group dynamics, Clan Caiman differs from his past two solo albums (“Panorámico” in 2007 and “Estrambótico” in 2012, both on Radiaciones Armónicas) in that these were studio work and not meant to be played live.

The quintet's enigmatic sound is built upon the kalimbafón, an instrument created by Haro using several kalimbas, Diego Voloschin's wild and hypnotic percussion (no cymbals, no snare), Gonzalo Cordoba's lap steel and baritone guitar, Facundo Gomez's psychedelic guitar tones and Claudio Iuliano's dry and percussive bass sound.

This debut album contains eight anachronistic and oddly familiar compositions that range from introspection to trance, tracing their own sonic landscape.

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